Closing in on his 90th birthday, actor William Daniels looks back on a long and varied career in There I Go Again: How I Came to Be Mr. Feeny, John Adams, Dr. Craig, KITT, and Many Others (Potomac Books). As the book's subtitle acknowledges, many readers will know him best for his work on popular television shows such as St. Elsewhere and Boy Meets World. But as he reveals here, there was much more to his life and career.
I was somewhat familiar with his Broadway career as an adult, including his starring role in 1776. But I didn't know about his start as a child actor, playing one of the Day kids in Life with Father, or about his role in his family's dancing act. Though he nicely satisfies the curiosity of readers who want to know about Dr. Craig and Mr. Feeny, some of this book's best anecdotes relate to other aspects of his career. He reminisces about a film actress of the 1940s who went totally blank during a live television performance, leaving him as her co-star holding the bag. His stories of working with the legendary Jerome Robbins are also noteworthy.
On TV, at least, Daniels often played characters who weren't immediately forthcoming, or likable. In these pages, he gives us an idea how much that persona reflects the real William Daniels, and it's intriguing. He also writes with great love about his wife of more than 65 years, actress Bonnie Bartlett. The result is a book well worth the time of readers interested in 20th century theater, film, and television.
Wednesday, February 8, 2017
Book Review: The Daniels Playbill
Labels:
actors,
biographies,
Book reviews,
William Daniels
Sunday, February 5, 2017
Eerie Miss Eaton
Marjorie Eaton (1901-1986), born February 5, made a strong and lasting impression on me some years ago, playing character roles in two rather schlocky horror movies. In The Zombies of Mora Tau (1957), she was the heroine's aunt, living on a spooky estate populated by the undead creatures of the title. In Monstrosity (1963), which often played TV back then as The Atomic Brain, she played a cruel, sickly old woman using her wealth to have her mind implanted in a fresh, nubile body.
Her deep voice and stern face made Miss Eaton's characters ominous and foreboding, even in a movie as irresistibly silly as the latter. Somehow I like to imagine that, off-camera, she was a hip, fun-loving lady with a rollicking sense of humor.
I hope she was.
Her deep voice and stern face made Miss Eaton's characters ominous and foreboding, even in a movie as irresistibly silly as the latter. Somehow I like to imagine that, off-camera, she was a hip, fun-loving lady with a rollicking sense of humor.
I hope she was.
Labels:
actresses,
birthdays,
horror films,
Marjorie Eaton
Sunday, January 29, 2017
Remembering Barbara
It's been a tough week for classic TV and movie fans, with the losses of beloved performers Mary Tyler Moore, Mike Connors, and now Barbara Hale, who passed away at the age of 94.
Barbara's iconic role as the loyal, smart, and beautiful secretary Della Street on CBS' Perry Mason (1957-66) sometimes threatened to overshadow her many other career accomplishments. Before that show came along, she graced the casts of some top-notch films, including The Window (1949) and A Lion Is In The Streets (1953). But if Della proved to be her chief claim to fame, she apparently didn't mind. She enjoyed a warm friendship with series star Raymond Burr, and successfully juggled a career with a rich and satisfying personal life as wife and mother.
Rest in peace, Miss Hale, and congratulations on a life well-lived.
Barbara's iconic role as the loyal, smart, and beautiful secretary Della Street on CBS' Perry Mason (1957-66) sometimes threatened to overshadow her many other career accomplishments. Before that show came along, she graced the casts of some top-notch films, including The Window (1949) and A Lion Is In The Streets (1953). But if Della proved to be her chief claim to fame, she apparently didn't mind. She enjoyed a warm friendship with series star Raymond Burr, and successfully juggled a career with a rich and satisfying personal life as wife and mother.
Rest in peace, Miss Hale, and congratulations on a life well-lived.
Sunday, January 22, 2017
Working Woman
Happy birthday (in memoriam) to gorgeously talented Ann Sothern (1909-2001), one of the Women Who Made Television Funny commemorated in my first book. Was there much of anything she couldn't do? An actress equally at home in comedy or drama, as well as a fine singer, she had a long and varied career that encompassed film, radio, television, and the stage. Off-camera, she was an astute businesswoman who knew how to get things done, and was often the driving force behind her professional success.
By nature, she confessed in a late 1950s interview, she was "the laziest gal in town." But somehow work always called, and Ann Sothern always responded. Aren't we glad she did?
By nature, she confessed in a late 1950s interview, she was "the laziest gal in town." But somehow work always called, and Ann Sothern always responded. Aren't we glad she did?
Wednesday, January 18, 2017
Reader Alert!
It's that time again. My publisher, McFarland, has released its semi-annual catalog of new titles. And while you won't find my name in it, there are plenty of intriguing-sounding books on performing arts and other topics. Here's the one I may be most anxious to read:
On the other hand, Richard Irvin's Film Stars' Television Projects sounds interesting, too. And then there's...
Oh, go ahead. Have fun doing your own shopping. Go here to browse the full catalog.
Tuesday, January 10, 2017
"Celia Rubenstein Loved All Mankind..."
Happy birthday (in memoriam) to the great character actress Amzie Strickland (1919-2006), who appeared in practically every classic show you could shake a stick at. Even when she didn't have a recurring character to play, most shows liked her work enough to call her back multiple times.
Here's one of my favorite Strickland moments, from The Golden Girls, playing an unexpected mourner at the funeral of a woman no one liked.
Here's one of my favorite Strickland moments, from The Golden Girls, playing an unexpected mourner at the funeral of a woman no one liked.
Tuesday, January 3, 2017
A Life of Brian
Author Derek Sculthorpe, who last year gave us a fine book about Van Heflin, makes it two-for-two with Brian Donlevy, the Good Bad Guy (McFarland). It's a thoroughly readable and comprehensive look at the life and career of an oft-underappreciated actor who lent his name and talent to some genuine Hollywood classics (Destry Rides Again, The Great McGinty, Kiss of Death) in the course of a long and productive career.
Sculthorpe's book is subtitled "A Bio-Filmography," which aptly describes the author's skillful melding of the personal and the professional in one compact volume. As a writer, Sculthorpe has the gift of brevity -- he gives the reader a strong sense of who Donlevy was, and what was distinctive about his performances, without wasting words, repeating himself, or gushing. We get a thoughtful look at the women Donlevy married, including one who wanted to give him a makeover, and one who made him an ideal companion in his later years. Attention is also paid to the star's beginnings on Broadway, as well as his collaboration with the great Preston Sturges. Arresting film stills grace the text throughout.
Sculthorpe has quickly established himself as a compelling new voice in the world of film studies. I, for one, hope he has many more books in him.
NOTE: I was furnished a review copy of this book in exchange for an honest review.
Sculthorpe's book is subtitled "A Bio-Filmography," which aptly describes the author's skillful melding of the personal and the professional in one compact volume. As a writer, Sculthorpe has the gift of brevity -- he gives the reader a strong sense of who Donlevy was, and what was distinctive about his performances, without wasting words, repeating himself, or gushing. We get a thoughtful look at the women Donlevy married, including one who wanted to give him a makeover, and one who made him an ideal companion in his later years. Attention is also paid to the star's beginnings on Broadway, as well as his collaboration with the great Preston Sturges. Arresting film stills grace the text throughout.
Sculthorpe has quickly established himself as a compelling new voice in the world of film studies. I, for one, hope he has many more books in him.
NOTE: I was furnished a review copy of this book in exchange for an honest review.
Labels:
actors,
Book reviews,
Brian Donlevy,
Derek Sculthorpe,
McFarland
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