"Leonard Maltin has a new book." That's probably as much review as Hooked on Hollywood: Discoveries from a Lifetime of Film Fandom (GoodKnight Books) needs from the likes of me. But I can and will say a little more about this delightful collection of essays and interviews aimed squarely at the hearts of readers who love the movies of the 1930s and 1940s.
Here, Maltin goes back to the earliest days of his career, as a starstruck teenager interviewing his silver screen heroes for Film Fan Monthly. In those sessions, and even more so the later ones that follow, you sense the subjects' pleasure at being questioned by someone who knows their work inside and out. Director John Cromwell offers fascinating memories from his film Of Human Bondage, working with a young and hungry Bette Davis. But it's not only the giants and the masterpieces that merit space. I loved the interview with Paul Wurtzel, whose father Sol ran Fox's B movie factory in tbe 30s --and apparently worked himself into a frenzy doing it.
It's a safe bet that almost any reader can identify one or two favorite chapters here. I especially enjoyed "Act Three: Television," which examines how veteran performers like Buster Keaton and Lillian Gish extended their careers by embracing the new medium. Who'd've guessed that, of all people, Johnny Crawford, kid star of The Rifleman, was a silent movie buff thrilled to learn that crew members and actors from that era could often be found on his own set?
As I mentioned here before, I was pretty bummed when Maltin's annual movie guide ceased publication after so many years. I'm thrilled that he continues to share his knowledge through this irresistible new book.
Showing posts with label Leonard Maltin. Show all posts
Showing posts with label Leonard Maltin. Show all posts
Tuesday, July 3, 2018
Maltin's Movie Memories
Labels:
Book reviews,
Hooked on Hollywood,
Leonard Maltin
Thursday, August 21, 2014
That's a Wrap!
Well, I hate this. Film historian Leonard Maltin announced this week that the 2015 edition of his annual movie guide will be the last one published. Apparently those of us who consult his smart, authoritative, and comprehensive guidebook are dwindling in number, as more and more moviegoers get their information from the web. (Maybe a blog isn't the perfect place to complain about this...)
Even before I considered writing books on film and television history, I loved reading them. While I don't always agree with Maltin's opinions, I respect his expertise, and have learned a lot from his books. Whether it's a BOMB or a ****, he always has something worthwhile to say. Who else could have reviewed the low-budget 1967 chiller Castle of Evil and said, "Producers should have taken the film's production costs and bought a candy bar instead"? And I'll never forget his cogent, tongue-in-cheek advice concerning 1965's The Navy vs. the Night Monsters:
1) Look at the title. 2) Examine the cast. 3) Be aware that the plot involves omnivorous trees. 4) Don't say you weren't warned.
Luckily for those of us who love the films of an earlier era, Maltin's separate guide to vintage movies will continue to appear occasionally. Otherwise, I'd really be in a state of mourning.
Even before I considered writing books on film and television history, I loved reading them. While I don't always agree with Maltin's opinions, I respect his expertise, and have learned a lot from his books. Whether it's a BOMB or a ****, he always has something worthwhile to say. Who else could have reviewed the low-budget 1967 chiller Castle of Evil and said, "Producers should have taken the film's production costs and bought a candy bar instead"? And I'll never forget his cogent, tongue-in-cheek advice concerning 1965's The Navy vs. the Night Monsters:
1) Look at the title. 2) Examine the cast. 3) Be aware that the plot involves omnivorous trees. 4) Don't say you weren't warned.
Luckily for those of us who love the films of an earlier era, Maltin's separate guide to vintage movies will continue to appear occasionally. Otherwise, I'd really be in a state of mourning.
Labels:
books,
film reviews,
Leonard Maltin,
motion picture history
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